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Scheduled to open December 18, 2021, these galleries will tell new stories using some of the oldest works in the MuseumвЂ™s collection, reflecting our time through the art of the past. The galleries are presently closed in anticipation of four freshly imagined spaces dedicated to gods and goddesses, Byzantine art, early Greek art, and contemporary art in relation to ancient Greece and Rome. and Margo Behrakis Wing for Art of the Ancient World have undergone renovations. Over the last decade, nearly half the classical galleries on the second floor of the George D.

Individual works of art and their collecting history (also known as provenance) are exceptionally well researched and the collection has been extensively documented in publications. Nearly 70 percent of the current collection had entered the Museum by 1914, the year World War I broke out in Europe. Some of the Greek and Roman art was acquired through the MuseumвЂ™s participation in the 1880s excavations led by the Archaeological Institute of America at Assos (Turkey) and the Egypt Exploration Society at Naukratis (Egypt) most was purchased on the European art market, beginning in 1885 under the leadership of Edward Robinson, the first classical curator in a US art museum, and through the agency of antiquities collector/dealer and Boston native Edward Perry Warren. The collection is distinctive for its quality and the large number of singular, even iconic works it is especially strong in Greek and Roman coinage and gems, Greek vases, and Roman portraiture. The more than 17,000 works in the collection range in date from the Bronze Age (about 2800 BCE) to the Early Byzantine period (600 CE) and were made, used, and seen principally in the Mediterranean but also elsewhere from Afghanistan to Britain. The Art of Ancient Greece and Rome department is home to one of the most recognized and distinguished encyclopedic collections of classical art in the world. Museum of Fine Arts, Boston Main navigation

The Heritage Fund for a Diverse Collection.

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Furniture and Frame Conservation Laboratory.

The reputation of RomeвЂ™s legions combined with adroit diplomacy was, at times, sufficient to win territory.

Conservation and Collections Management By 130 bce, Rome had established hegemony over Greece, Macedon, and much of Asia Minor, and in the west, Rome conquered southern Gaul and most of north Africa before 100 bce.

Cyrus DallinвЂ™s вЂAppeal to the Great SpiritвЂ™.Curatorial Study Hall Pilot Program and Materials.Current and Upcoming Traveling Exhibitions.Troy as Trauma: Reflections on Intergenerational Transmission and the Locus of Trauma Andromache Karanika. OedipusвЂ™ Lament: Waking and Refashioning the Traumatic Past in SophoclesвЂ™ Oedipus at Colonus Laurialan ReitzammerДЎ2. Learning to Bear Witness: Tragic Bystanders in SophoclesвЂ™ Trachiniae Erika L. PhiloвЂ™s Flaccus: Trauma, Justice, and Revenge Philip R. Ovid and the Trauma of Exile Sanjaya ThakurД©. Non est facile inter mala magna consipere: Trauma, Earthquakes, and Bibliotherapy in SenecaвЂ™s Naturales Quaestiones Christopher TrinactyДЁ. Part 4: Natural Disasters, Exile, CaptivityД§. Historiographical Trauma: The Case of Polybius Susan C. Greece and Rome at war Item Preview remove-circle Share or Embed This Item. The Acropolis Burning! Reactions to Collective Trauma in the Years After 480/79 BCE Marion MeyerД¦. Subaltern Women, Sexual Violence, and Trauma in OvidвЂ™s Amores Jessica WiseДҐ. Repetition, Civic Status, and Remedy: Women and Trauma in New Comedy Sharon L. Combat Trauma in VergilвЂ™s Aeneid Vassiliki PanoussiДЈ. Aspects of Violence, Trauma, and Theater in SophoclesвЂ™ Ajax Trigg SettleДў. Introduction Andr omache Karanika and Vassiliki PanoussiДЎ. If they both had the same strategies it would.

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